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David Porter » Entries tagged with "Norwich Playhouse"

Wild Life

Wild Life at the Norwich Playhpouse as part of the Norfolk and Norwich Festival 2016 Review published in the Eastern Daily Press, 21 May 2016 Wild Life is both a company and the apt title of a piece that takes the breath away – genre-defying, boundary-busting and the most innovative work I have seen so far this year. The performers should be named as these young local singer-songwriters and actors are going places – Megan Blair, Anna Carter, Lucy Grubb, Noah Horne-Morris, Kate Maguire Buck, Sophie Mahon, Aphra McSherry-Birley, Elliouse Marie Moss, Poppy Rae Read and Hannah Websdale. In a refreshing, amusing and fun concert like no other they present a narrative about making a show about themselves and in so doing perform their reflective, angry, joyful and original songs about their young … Read entire article »

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Nikolai Galen

Nikolai Galen at The Norwich Playhouse as part of the Norfolk and Norwich Festival 2016. Review published in the Eastern Daily Press, 19 May 2016 When one time frontman for The Shrubs Nikolai Galen (then, Nick Hobbs) became smitten by the songs of the Belgian singer, songwriter and actor Jacques Brel, he looked about for a style and a forum for translating and interpreting some of the huge catalogue. And he found it. Acapella, spoken-sung poetry, free-improvisation, recitation, performance – all in a one-man show alone on stage with a microphone and a commanding presence that touched the heart, that puzzled and reflected life in equal measure. Songs such as ‘If You Go Away’, ‘Amsterdam’ and ‘Seasons in the Sun’ may be familiar to British audiences, but Brel’s influence on artists as diverse as David Bowie, Marc Almond, Scott Walker, Dusty Springfield … Read entire article »

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Teddy Thompson and Kelly Jones

Teddy Thompson and Kelly Jones at Norwich Playhouse as part of the Norfolk and Norwich Festival 2016. Review published in the Eastern Daily Press, 18 May 2016 When two outstandingly talented, versatile and personable singer-songwriters join forces, the result is spectacular. In Englishman Teddy Thompson, with his folk, country, rock-grounded voice and American Kelly Jones with her unique vocals of many shades, we have a formidable pairing. In that same top league occupied by the Alison Krauss and Robert Plant partnership, this pair presented mainly their own songs in perfect, all-encompassing harmonies affording us an intimate sharing of relationships, heartbreaks and life. Sometimes dueting together, occasionally solo and sometimes backed by a four-piece band of rich musical giftings, Thompson and Jones’ mix of country, folk, rock, alt-country and pleasant personal musings between songs made a rivetting night out. Support came from Sunny Ozell who added yet … Read entire article »

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A Girl Is a Half-formed Thing

A Girl Is a Half-formed Thing Norwich Playhouse, part of the Norfolk and Norwich Festival 15 Review published in the Eastern Daily Press, 14 May 2015 Readers of the ground-breaking novel, A Girl Is a Half-formed Thing, telling the journey of an Irish girl from pre-birth to 20, may be surprised to see it’s transposed into a play. But it makes a terrific performance. Eimear McBride’s personal journey is spell-binding theatre by Dublin company, The Corn Exchange and director Annie Ryan. The sole actor, Aoilfe Duffin, brings the foetus, the child, the young woman to life before our eyes in a tour de force that reveals her ‘complex and conflicted character.’ Her inner narrative is played in a stream of different voices and characters. She undergoes sexual awakening, religion and pain through a unique dynamic language … Read entire article »

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That Is All You Need to Know

That Is All You Need to Know Idle Motion at Norwich Playhouse Review published in the Eastern Daily Press, 30 September 2014 With strong visual staging, young theatre group Idle Motion brought a tribute to the secrets of the wartime Code and Cipher unit at Bletchley Park to Norwich. Using physicality, clever projections to move events and multiroling, the cast explored the significance of the ground-breaking thinking which helped end the war. That Is All You Need to Know summed up the philosophy that ‘careless talk costs lives’ which stayed with many Bletchley workers for decades after. In our instant click-and-share world that seems astonishing. The considered and thoughtful piece told the story in Brecht-influenced docu-drama style of how code-breaking teams were put together, including Gordon Welchman whose book was later frowned upon by the security … Read entire article »

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Phantom of the Opera

Norfolk Youth Music Theatre, at Norwich Playhouse Review published in the Eastern Daily Press, 12 April 2014 The increasingly ambitious, hugely talented Norfolk Youth Music Theatre team excelled in their magnificent, confident Phantom, which is a big show by any definition. Whether in the dramatic solos and duets or the entire ensemble on stage, this was a smooth operation allowing the music, singing and Marina Bill’s tight choreography to drive the emotions in Andrew Lloyd Webber’s dark love story. Never easy musically, the orchestra under Mark Sharp’s expert baton sounded so good somebody near me thought it was a professional backing track. Norwich School of Dance delivered glorious ballet routines. Adrian Connell, stage and musical director, should be proud of his performers and know that he is guiding many future stars. Hyoie O’Grady donned the … Read entire article »

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Tubular Bells For Two

Norwich Playhouse Review published in the Eastern Daily Press, 8 July 2013 To every generation, there is given a classic album which becomes iconic, a voice for its age. And in 1973 there was Mike Oldfield’s Tubular Bells. A pair of highly talented Australian musicians, Aidan Roberts and Daniel Holdsworth, recreate the 30 musical elements that Oldfield originally recorded one at a time and overdubbed. Remastered, developed and used in films and the Olympic ceremony last year, this multi-layered, polyphonic masterpiece more than stands the test of time. With the benefits of state-of-the-art keyboards and surrounded by carefully placed instruments, the nimble, barefoot players leaped around a stage choreography picking up one for a sequence, then another, singing, editing as they went. The acoustic, bass, electric, Spanish and fuzz guitars were there, with multi-timbral synthesiser, Lowry … Read entire article »

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Oliver Coates

Oliver Coates at Norwich Playhouse part of the Norfolk and Norwich Festival 2013 Review published in Eastern Daily Press, 13 May 2013 Up and coming cellist Oliver Coates treated the audience in the acoustically apt Playhouse to a stunning masterclass. His virtuosity and the variety of works complemented each other perfectly. The cello fairly sang in harmony and jangled in disharmony, in turn. From Britten’s Ciaccona (Suite No.2 Op.80) to a pair of Bach Preludes (in D major, Cello Suite No.6 and in G major Cello Suite No.1), Coates was in flamboyant interpretative form. He then moved to Block’s ‘Prayer’ from ‘Jewish Life’ and three fragments from Kurtag, including a fascinating two-bow ‘Hommage of John Cage’. David Fennessy’s ‘The room is the resonator’ grew from one note to 12 to one, a dialogue of pitches in a … Read entire article »

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The Tiger Who Came to Tea

Norwich Playhouse Review published in the Eastern Daily Press, 4 December 2012 This story was a bedtime favourite in our house when the children were young. To see it brought to life on stage I took along my three-year old grand-daughter, Bethany, to join other children and adults in being totally captivated by a novel tale done with songs and music, lots of humour and some clever visual tricks. The actors appeared at the outset to allay children’s fears. The daddy finally got off to work. The milkman and postman called before the tiger arrived at teatime and ate all the food and drank all the water from the taps. Written and directed by children’s musical theatre master David Wood, this was a faithful representation of the book, but with the added skills and … Read entire article »

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Equus

London Classic Theatre at Playhouse Theatre, Norwich Review published in the Eastern Daily Press, 22 September 2011 As much psychological study as play, Equus is a powerful, yet sensitive insight into a repressed and awkward teenager, facing his development and relationships, hiding in a world of TV commercials. Locked in a tight, semi-circle of light and minimal blocks, contrasting with the dark openness of the Playhouse stage, psychiatrist (Malcolm James) narrated the case: why a 17 year old youth blinded six horses. Conflict and tension came from the doctor teasing information from each character, asking, provoking. ‘When you’re in the adjustment business, you’re never short of customers’. All-seeing eyes and the mother’s (Anna Kirke) Biblical equine images affected everyone. Symbolic horse heads hung in the shadows. Scenes flowed from psychiatrist’s study to stable to the boy’s … Read entire article »

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